Benny Golson “Gone with Golson” (1959) Esquire

Track Selection:Autumn Leaves”

Artists

Curtis Fuller (tb) Benny Golson (ts) Ray Bryant (p) Tommy Bryant (b) Al Harewood (d) Rudy Van Gelder Studio, Hackensack, NJ, June 20 – 30, 1959

Music

I have always loved the Cannonball Adderley/ Miles Davis version of Autumn Leaves on  Blue Note “Something Else” (BN 1595). This version has a slightly more upbeat feel, and the intertwining of Golson’s tenor with Curtis Fuller’s trombone is absolutely perfect. Golson also shows Adderley he can let it rip too. At the solo’s climax, his extraordinary gymnastic runs at blindingly fast speed, with ecstatic squeals up into the upper register, really hit the spot. If ever there was a need for a new video game, it is “Saxophone Hero, Legends of Jazz” (Nintendo and Playstation take note!)

Around this time Golson joined Art Blakeys Jazz Messengers, to my mind the best musician ever in Blakey line-up. His contribution on “Moanin’ ” (BN 4003) features Golson on absolutely top form, in my view among the ten best sax solo’s ever. He was never bettered and a complete contrast to the later Wayne Shorter’s cold and measured playing.

Golson never achieved the fame of some of the other jazz elite, I think failing to project the necessary “mean and moody” or “enigmatic” persona.  Instead he always smiling to camera, and probably not on heroin. Eventually his prodigious talent drew him into a career composing and arranging for the big studios, and never returned to live performance. However a rich legacy of recorded work remains, joyful and exuberant playing, always a memorable melodic angle to his solos and compositions alike.

Vinyl:  Esquire 32-125 UK release of New Jazz NJLP 8235

Original cover from Prestige  This release is one of the few occasions  Esquire used the original American cover art.

Collector’s Notes

This Esquire release fell into my lap inexpensively, due to the seller listing only the record title and artist name, and not maximizing search matches, thereby missing many dozens of potential buyers. They also failed to describe the pressing as “rare”, “near-mint”, and “beautiful copy”, all of which could have applied.

As a result, I was sole bidder and the auction closed at £3.00 plus postage. Crazy, it’s not enough, but sometimes it happens that way. It makes up for the times you get drawn into a  Sunday night ebay three-way competition between the Land of the Rising Yen and our friends from the land of the Deutsche Bundesbank. That almost always hurts.

7 thoughts on “Benny Golson “Gone with Golson” (1959) Esquire

  1. Thanks – yeah it was a treat meeting him 😉 And he is a magnificent storyteller on stage as well telling stories about Coltrane (childhood friends) Blakey and Clifford etc. He met them all and he was THERE – it’s living history in my book.

    Regarding the LP it is a treasure but honestly the New Jazz pressings are not like the original Blue Notes soundwise and this original pressing is in mono while the CD is in stereo and sound just fine. But then again – nothing beats the feeling of dropping a needle in an original LP right? A piece of history 😉

  2. Good choice!
    My Favourite Benny Golson album and he made many excellent albums. And I actually had the pleasure to meet Mr Golson in person backstage in Stockholm last year. He was the nicest guy ever and signed a CD of Gone with Golson for me. He had a look at who was playing on the CD and made som Oh Ah about Fuller and the Guys 😉 Since then I have aquired an original New Jazz LP pressing of this music. I only wish to have that signed too 😉

    • Wonderful story. I sort of guessed he would still be this happy positive guy – it shines in all his playing. And the fact he is still alive speaks volumes – not engulfed by the darkness like so many so many of his contemporaries. Well done for acquiring the vinyl. Of all things musical, the flow of air through the saxophone is captutured in the analogue groove in a way digital never manages. Sometimes it’s scary.Nice to have the personal autograph too – bridges the past and the present.

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