Adventures in collecting "modern jazz": the classical music of America from the Fifties and Sixties, on original vinyl, on a budget, from England. And writing about it, since 2011. 100% coronavirus-free content.
Selection 1: A Waltz For Fran (Morgan) . . . Selection 2 bonus: Lee-Sure Time (Morgan) . . . Track List Raggedy Ann (Morgan) 6:49A Waltz For Fran (Morgan) 4:56Lee-Sure Time (Morgan) 8:30Little Spain (Clifford Jordan) 7:49Take Twelve (Elmo … Continue reading →
LJC is going off-piste again, venturing into the mid-70s, and Brazilian-influenced free spiritual jazz fusion or something. You can do this if, like me, you are a Time Lord. Post intended for new year, but just didn’t happen that way. … Continue reading →
A horizontal tasting: composers and arrangements The oeuvre is the “Jazz Workshop”, zeitgeist of 1956: the search for new directions. Post- swing experimentalism flowers briefly, doffing its cap to its contemporary classical music “brothers”. The fixed points here are the performers, the same … Continue reading →
Selection: Concerto For Billy The Kid (Russell) . . . Artists: Art Farmer (trumpet) Hal McKusick (flute, alto sax) Bill Evans (piano) Barry Galbraith (guitar) Milt Hinton (bass) Joe Harris (drums) recorded NYC, March 31, October 17 & 21, 1956 … Continue reading →