Thad Jones: The Magnificent Thad Jones (1956) Blue Note/ MM33

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This gallery contains 8 photos.

Selection: April In Paris (Duke-Harburg, a 1930’s showtune) Artists Thad Jones (trumpet) Billy Mitchell (tenor sax) Barry Harris (piano) Percy Heath (bass) Max Roach (drums) recorded Rudy Van Gelder Studio, Hackensack, NJ, July 14, 1956 Artists of Note: Billy Mitchell … Continue reading

Blue Note’s Transition from Mono to Stereo – Updated Guest Post

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DGmono has updated his excellent, authoritative and now greatly condensed story of Blue Note’s transition from mono to stereo, which I am delighted to publish on the permanent pages at LJC: How They Heard It (Second Edition) My thanks to Rich Capeless. … Continue reading

How They Heard It – Blue Note Records and the Transition from Mono to Stereo

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This gallery contains 14 photos.

GUEST POST : Richard Capeless, October 23, 2014 Ed. Note: In the second draft of this article, I aimed to trim much of the fat. For those of you who have already read the first draft, I hope that you … Continue reading

Blue Note and Electronically Rechanneled Stereo

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This gallery contains 6 photos.

 Blue Note Fake Stereo ’70s reissues: a public-interest post. For the Blue Note collector with a limited budget, and that is most of us I guess, reissues are an inevitable fact of life. It is also inevitable they will come across reissues which claim … Continue reading