“Better Records/Hot Stampers”/Well-Recorded Jazz

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This gallery contains 9 photos.

Vinyl collector culture, an LJC Public Interest post, . Better Records And  Hot Stampers  are an American record selling company, based on the premise that old records can sound dramatically better than ones made today.  I had heard of them … Continue reading

Chick Corea: Tones For Joan’s Bones (1966) Atlantic

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This gallery contains 17 photos.

Updates!  Michael Cuscuna liner notes and credits for Inner Voice compilation (1973)  added; Harry M photos added (1968-9 vintage). A shoot-out with a difference:  original vinyl US pressing, Japanese reissue; and throwing down the digital gauntlet, a German CD. Now … Continue reading

Horace Silver: Further Explorations (1958) Blue Note (updated)

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This gallery contains 14 photos.

UPDATED December 16, 2020: Harry M photo added foot of post – Art Farmer (1970) Horace Silver (1968). Head to Head: Blue Note original, Toshiba Japan reissue. Japanese reissues are cheaper and more readily available, but are they worth it? … Continue reading

Kind of Blue Data Collection – what’s your six-eye matrix?

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This gallery contains 1 photo.

I didn’t want my mailbox jammed with everyone telling me what KoB matrices they have got (some did anyway, great) – but then I had a brainwave: Polldaddy!  Hopefully this will work. If it doesn’t then there’s nothing lost, except I … Continue reading

Harold Land: The Fox (1959) Hi Fi Jazz

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This gallery contains 7 photos.

Selection: One Second, Please (Hope) . Whilst the standard pick on The Fox is… The Fox, a helter-skelter chase at breakneck speed,  it has a “showcase” feel, look how fast we can play this tricksy tune, plus I already chose … Continue reading

Collector’s Guide to Contemporary Records Part I (updated)

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This gallery contains 35 photos.

SUNDAY UPDATE: Guide to Contemporary 3500 series back covers now added to permanent pages for Guide to the  Contemporary Records  label. (If you are able to provide better picture of original back cover with coloured text and frame, all contributions … Continue reading

Prestige: Visual Reference Guide to Original NY Pressings v.1.1 (updated)

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This gallery contains 28 photos.

Last Updated: September 18, 2021 UPDATED July 5th: new reference material added to the Prestige Boot Camp and  a QUICK LOOK UP REFERENCE TABLE for Prestige NY label has been added to the permanent pages of LJC Guide to Record Labels/ Prestige and … Continue reading

Prestige: draft guide to original pressings Part 1: the N.Y.C “Fireworks” label

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This gallery contains 27 photos.

Prestige Yellow Fireworks Label, 446 W. 50th St., N.Y.C, (1955-8) Prestige Records was one of the main specialist modern jazz labels in the 50’6s and ’60s, a rival to Blue Note. The quality of recording and pressing of its 12″ first NYC label … Continue reading

At last, it’s possible! Real home-download vinyl!

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This gallery contains 10 photos.

Thanks to ground-breaking  technology of Additive Manufacturing, the new process of making three dimensional solid objects from a digital file, in conjuction the LJC exclusive hybrid Analogue Conversion Vinyl Pumpâ„¢,  real home-downloadable vinyl is just a few clicks away. Just connect the LJC vinyl pump to … Continue reading

Fifty Shades of Blue (updated)

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This gallery contains 5 photos.

 (Update March 23: shades of blue now increased to eight –  three extra rips added at the foot of the post, courtesy of ripmeister Bill H) Fifty Shades of Blue – Kind of Blue, not Blue Notes – ok, and … Continue reading

Plastylite and The Mystery of “9M”

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This gallery contains 19 photos.

Plastylite pressed Blue Note, the quality is there for all to hear.  The Plastylite “ear” in the run-out of all their pressings is not much of a mystery, it is a hand-written (cursive, in the jargon)  letter “P“. Problem is, it … Continue reading

Prestige covers continued: the second issues

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This gallery contains 43 photos.

Bob Weinstock, ever resourceful, selected many of his prime recordings for a second issue with a new catalogue number and a new cover, and occasionally an altogether new title to snag the unwary. It is worth noting these pairs as they … Continue reading

THE BLUE NOTE UNDERCOVER DETECTIVE

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This gallery contains 5 photos.

BLUE NOTE UNDER-COVER DETECTIVES an occasional post for the Blue Note collector that doesn’t have everything, but would like to. The 12″ microgroove unbreakable record brought record cover art to the fore, and developments in printing technology enabled these new generation covers … Continue reading

Art Blakey: A Night in Tunisia (1957) mono test pressing vs commercial release “stereo”

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This gallery contains 12 photos.

 Shoot out with a twist. What was intended to be a two-way shoot out – test press vs  commercial release and mono vs stereo, quickly unravelled when the stereo turned out not to be quite what it said on the cover. … Continue reading

Blue Note and Electronically Rechanneled Stereo

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This gallery contains 6 photos.

 Blue Note Fake Stereo ’70s reissues: a public-interest post. For the Blue Note collector with a limited budget, and that is most of us I guess, reissues are an inevitable fact of life. It is also inevitable they will come across reissues which claim … Continue reading

What does a £2,500 record sound like?

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This gallery contains 3 photos.

“Audiophile Pete Hutchison has gone to extraordinary lengths to reissue golden era classical recordings in their purest form. He talks to Killian Fox about the price of perfection, the ‘digital con’, and the sound of a truly analogue recording” Anyone … Continue reading

Sonny Rollins: Vol 1 (1956) Blue Note/ Music Matters 2×45

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This gallery contains 14 photos.

Selection: Decision  (rip added March 2023) .  .  . Artists Donald Byrd, trumpet; Sonny Rollins, tenor sax; Wynton Kelly, piano; Gene Ramey, bass; Max Roach, drums; recorded Rudy Van Gelder Studio, Hackensack, NJ, December 16, 1956 Music:  A superb outing in which … Continue reading

Weighty Matters

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This gallery contains 9 photos.

Everyone should know that audio quality and vinyl weight are not causally related, not that you would guess that from the volume of “180 gram audiophile pressings” burgeoning record shop shelves. The depth of groove is determined during the lacquer master cutting process, and … Continue reading