Mono or Stereo – is it really just a matter of preference?

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This gallery contains 6 photos.

A reborn vinyl collector wrote to me recently for advice on whether they should seek out a mono or a stereo copy of a particular record. (I do respond to interesting questions)  I think it was regarding Kind of Blue, but … Continue reading

Thad Jones: The Magnificent Thad Jones (1956) Blue Note/ MM33

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This gallery contains 8 photos.

Selection: April In Paris (Duke-Harburg, a 1930’s showtune) Artists Thad Jones (trumpet) Billy Mitchell (tenor sax) Barry Harris (piano) Percy Heath (bass) Max Roach (drums) recorded Rudy Van Gelder Studio, Hackensack, NJ, July 14, 1956 Artists of Note: Billy Mitchell … Continue reading

Microphones and Missiles: The Legendary Neumann U47 Microphone

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Now, a change from records, and a post specially for the sound engineers out there, and the rest of us too.  A guest post, by Neville Roberts. If the name is familiar, you are reading the right sort of magazine: Neville … Continue reading