Jazzland

Jazzland  – Riversides “other” label – Orange

Budget label, alternative label, tax-minimisation label, possible all three. Labels are both standard LP size 100mm diameter and small 92mm diameter, exact changeover points not known.

10cm-rule-Jazzland-little-and-large-final-ljc-1800px[1]1 – Orange, Deep Groove, 100mm

Jazzland-800-DG

3.2 Not deep groove 100mm

Jazzland-non-DG-US-label

3.3 Deep Groove 92mm

Jazzland-92mm-1000px

Picture courtesy of Tony

3.4 Jazzland Stereo DG 100mm

Don Sleet Jazzland Stereo JLP 945S..

Picture courtesy of Nicolas

Jazzland-Stereo-Label-n-DG-DG-1000-LJC

Another 100mm stereo Jazzland US press, DG on side 2, not on side 1, no AB and no other markings, pressing plant unknown. Nice stereo recording – made in London not US.

Some Jazzland were pressed by Abbey Manufacturing Corp, NJ (“AB”) and possibly others

AB-Prestige-vs-Jazzland-1000

Though Abbey were famed for excellent pressings for Prestige in the mid to late Fifties, the consistent bold capitalised handwritten AB found on many Prestige title  is of a different hand here in 1961:  thin spidery and feint and of lesser engineering and pressing quality, if it is the same Abbey.

Both US Riverside and Jazzland pressings are sometimes troubled with presence of surface noises attributable to manufacturing issues, possibly second grade blank lacquers, factory cleanliness, process shortcuts, who knows. Neither Bob Weinstock at Prestige (notorious  for use of recycled vinyl on some New Jazz pressings)  nor Orin Keepnews at Riverside seemed on top of manufacturing quality, but focussed rather on cutting the cost of manufacture, sometimes with detrimental results.

  Jazzland – Orpheum Productions – Stereo – Maroon

US-JAZZLAND----ORPHEUM-STEREO-1000

Orpheum continued to maintain the separate identity of Riverside and Jazzland labels

JAZZLAND LP CATALOGUE VISUAL REFERENCE BY SET – MONO (1960-65)

The Riverside sub-label Jazzland is often overlooked, perhaps because it was initially a reissue vehicle for Riverside recordings. However it developed as an interesting source of original recordings not found elsewhere, including some from my homeland including artists Joe Harriott, Don Rendell and Tubby Hayes. As a form of international repayment, I determined to produce a definitive visual reference set of the Jazzland label.

Not as easy as at first I hoped, occasionally Side 2 label was unable to be found (many ebay sellers find it too onerous to picture both labels, or indeed any). This means rare items with only few sales, only Side 1 has been found. Promos were given preference, but it is still a conundrum why many promos were not deep groove, while the commercial release is mostly solid deep groove. Skimming auction results reminded me that original deep groove pressings are very frequently found only on  Japanese jazz-seller sites, the records grew wings, and found their way to where collectors appreciated original provenance.

There are just under a hundred titles in the Jazzland catalogue, a few instantly forgettable, but others repaying serious interest, and mostly at pocket-money prices. I’ve tried to assemble a visual set of each record, inevitably falling short of archival quality due to the sometimes very poor standard of photography record by record sellers. These are the best of what I found, in a limited amount of time, fixed in Photoshop  where I could correct the wonky perspective.

In the research process, I discovered a number of Jazzland records I have never seen in the flesh and didn’t even know existed. It also put my dozen or so Jazzland titles in context of the label history, a piece of modern jazz history deserving of attention. If you put to one side the royalty of modern jazz, Blue Note and Prestige, there is a rich seam of jazz musicians struggling to make a few dollars to pay the rent, and producing interesting recordings.

The research has taken a bit of time away from reviews, but hopefully you may find some new friends to make here in the full catalogue.  Given the spiralling price of “royalty”, I think there is a lot of enjoyment to be had through Jazzland, and many of the other lesser labels.

jazzlan-jlp1-5

jazzlan-jlp6-10-1800

jazzlan-jlp11-15-1800jazzlan-jlp16-20-1800

jazzlan-jlp21-25-1800

jazzlan-jlp26-30-1800

jazzlan-jlp31-35-1800

jazzlan-jlp36-40-1800
jazzlan-jlp41-45-1800jazzlan-jlp46-50-1800

JAZZLAN-JLP51-55-1800

JAZZLAN-JLP56-60-1800

JAZZLAN-JLP61-65-1800.jpg

JAZZLAN-JLP66-70-1800.jpg

JAZZLAN-JLP71-75-1800.jpg

JAZZLAN-JLP76-80-1800

At this point, around 1964-5, mono become exceedingly rare and difficult to track down, deep groove is replaced by “normal” single-step pressing ring,  stereo takes over , and Riverside re-issues resume in place of original Jazzland recordings, as the Jazzland label runs out of steam, but leaving behind a significant legacy of jazz in its day.

LISTING (1960-65)indicating Riverside re-issues

Jazzland Catalogue
JLP 1 Gryce, Gigi & Donald Byrd   – Jazz Lab (Reissue of Riverside RLP 12-229)
JLP 2 Sims, Zoot   – Zoot Sims Quintet (Reissue of Riverside RLP 12-228)
JLP 3 Dorham, Kenny   – The Swingers (feat. Frank Foster, Wilbur Ware, Ernie Henry)
JLP 4 Weston, Randy & Art Blakey   – Zulu (Reissue of Riverside RLP 12-227)
JLP 5 Mann, Herbie   – Featuring Jack Sheldon (Reissue of Riverside RLP 12-245)
JLP 6 Byrd, Donald & Hank Mobley   – Hard Bop! (Reissue of Riverside RLP 12-236)
JLP 7 Kelly, Wynton   – Cruisin’ The Rhythm Sections (with Wilbur Ware, Philly Joe Jones, Paul Chambers)
JLP 8 Lowe, Mundell   – Low-Down Guitar (Reissue of Riverside RLP 12-238)
JLP 9 Drew, Kenny   – Tough Piano Trio (Reissue of Riverside RLP 12-224)
JLP 10 Terry, Clark & Kenny Dorham   – Top Trumpets
JLP 11 Sims, Zoot   – East Coast Sounds (Reissue of Riverside RLP 12-225)
JLP 12 Griffin, Johnny & Wilbur Ware   – The Chicago Cookers (Reissue of Riverside RLP 12-252)
JLP 13 Weston, Randy & Cecil Payne   – Greenwich Village Jazz (Reissue of Riverside RLP 12-232)
JLP 14 Dorham, Kenny   – Kenny Dorham & Friends (feat. Kenny Drew, Wilbur Ware, Ernie Henry)
JLP 15 Elliot, Don   – Double Trumpet Doings (Reissue of Riverside RLP 12-218)
JLP 16 Rhyne, Mel   – Organ-Izing
JLP 17 Herman, Woody   – The Fourth Herd (feat. Nat Adderley, Zoot Sims)
JLP 18 Baker, Chet   – In Milan
JLP 19 Rouse, Charlie   – Takin’ Care Of Business (feat. Blue Mitchell, Art Taylor, Walter Bishop)
JLP 20 Land, Harold   – West Coast Blues
JLP 21 Baker, Chet   – With Fifty Italian Strings
JLP 22 Lytle, Johnny   – Blue Vibes
JLP 23 Alexander, Joe   – Blue Jubilee
JLP 24 Collins, Joyce   – Girl Here Plays Mean Piano
JLP 25 Priester, Julian   – Spiritsville
JLP 26 Werner, Lars & Bernt Rosengren   – Bombastica! (The Werner-Rosengren Swedish Jazz Quartet )
JLP 27 Thomas, Rene   – Guitar Groove
JLP 28 Benton, Walter   – Out Of This World
JLP 29 Gordon, Dexter   – The Resurgence Of…
JLP 30 Mance, Junior   – The Soulful Piano Of…
JLP 31 Griffin, Johnny & Eddie Lockjaw Davis   – Tough Tenors
JLP 32 Red, Sonny   – Breezing
JLP 33 Land, Harold   – In New York
JLP 34 Jazz Couriers, The   – The Message From Britain
JLP 35 Spann, Les   – Gemini
JLP 36 Gonsalves, Paul   – Gettin’ Together
JLP 37 Harriott, Joe   – Southern Horizons
JLP 38 Moore, Wild Bill   – Wild Bill’s Beat
JLP 39 Griffin, Johnny & Eddie Lockjaw Davis   – Lookin’ At Monk!
JLP 40 Jordan, Clifford & Sonny Red   – A Story Tale
JLP 41 Mance, Junior   – At The Village Vanguard
JLP 42 Griffin, Johnny & Eddie Lockjaw Davis   – Griff And Lock
JLP 43 Green, Bennie   – Glidin’ Along
JLP 44 Lytle, Johnny   – Happy Ground
JLP 45 Sleet, Don   – All Members
JLP 46 Monk, Thelonious & John Coltrane   – With John Coltrane
JLP 47 Adderley, Nat   – Naturally
JLP 48 Garland, Red   – Bright And Breezy
JLP 49 Harriott, Joe   – Free Form
JLP 50 Navarro, Fats & Tadd Dameron   – Classics Of Modern Jazz, Vol. 1
JLP 51 Rendell, Don   – Roarin’ (with Graham Bond, John Burch, Tony Archer)
JLP 52 Jordan, Clifford   – Starting Time
JLP 53 Mance, Junior   – Big Chief
JLP 54 Moore, Wild Bill   – Bottom Groove
JLP 55 Shearing, George   – George Shearing & The Montgomery Brothers
JLP 56 Strozier, Frank   – Long Night
JLP 57 Anderson, Chris   – Inverted Image
JLP 58 Cook, Junior & Blue Mitchell   – Junior’s Cookin’
JLP 59 Red, Sonny   – The Mode
JLP 60 Davis, Eddie Lockjaw & Johnny Griffin   – Blues Up And Down
JLP 61 Ashby, Dorothy   – Soft Winds
JLP 62 Garland, Red   – The Nearness Of You
JLP 63 Mance, Junior   – The Soul Of Hollywood
JLP 64 Pettiford, Oscar   – Classics Of Modern Jazz, Vol. 2
JLP 65 Arnold, Harry   – Great Big Band And Friends
JLP 66 Nistico, Sal   – Heavyweights
JLP 67 Lytle, Johnny   – Nice And Easy
JLP 68 Dameron, Tadd   – Classics Of Modern Jazz, Vol. 3
JLP 69 Jordan, Clifford   – Bearcat
JLP 70 Strozier, Frank   – March Of The Siamese Children
JLP 71 Stitt, Sonny   – Low Flame
JLP 72 Rollins, Sonny   – Sonny’s Time
JLP 73 Garland, Red   – Solar
JLP 74 Red, Sonny   – Images
JLP 75 Adderley, Nat   – In The Bag
JLP 76 Griffin, Johnny & Eddie Lockjaw Davis   – Tough Tenor Favorites
JLP 77 Mance, Junior   – Happy Time
JLP 78 Metronomes, The   – Something Big!
JLP 79 Roach, Max   – Conversation (Reissue of Riverside RLP 12-280)
JLP 80 Morgan, Lee   – Take Twelve
JLP 81 Lytle, Johnny   – Moon Child
JLP 82 Dorham, Kenny   – Kenny Dorham And Friends (feat. Cannonball Adderley and Sonny Rollins)
JLP 83 Kelly, Wynton   – Whisper Not (Reissue of Riverside RLP 12-254)
JLP 84 Mangione, Chuck   – Recuerdo
JLP 85 Golson, Benny   – Reunion (Reissue of Riverside RLP 12-256)
JLP 86 Rollins, Sonny   – Shadow Waltz (Reissue of Riverside RLP 12-258)
JLP 87 Garland, Red   – Red’s Good Groove
JLP 88 Baker, Chet   – Polka Dots And Moonbeams (Reissue of Riverside RLP 12-281)
JLP 90 Mitchell, Blue   – Blue Soul (Reissue of Riverside RLP 12-309)
JLP 92 Jones, Philly Joe   – Big Band Sounds (Reissue of Riverside RLP 12-302)
JLP 93 Griffin, Johnny   – The Little Giant (Reissue of Riverside RLP 12-304)
JLP 96 Terry, Clark & Thelonious Monk   – Clark Terry Quartet With Thelonious Monk (Reissue of Riverside RLP 12-271)
JLP 97 Barretto, Ray & Eddie Lockjaw Davis   – Alma Alegre
JLP 1001 Various Artists   – The Stars Of Jazz

2 thoughts on “Jazzland

  1. No, rather Riverside to Jazzland is as Prestige to New Jazz. Budget label Status had albums of both PR and NJ origin, and even some new titles, but that is an other story.

  2. What’s the skinny on this label? I own a few of the early releases (picture 1 above). They seem to have been released around the same time as the Riverside counterparts with different covers? I don’t get the point. Seems like Jazzland is to Riverside as Status was to Prestige? I still don’t understand the point of releasing them around the same time with different labels. Seems not too cost effective!
    Is there any value to these as collectible? Mine look and sound great. Thanks!

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