Adventures in collecting "modern jazz": the classical music of America from the Fifties and Sixties, on original vinyl, on a budget, from England. And writing about it, since 2011. 100% coronavirus-free content.
Selection: Minor Drop . . . Artists Bobby Jaspar (Tenor Saxophone), René Urtreger (Piano), Benoit Quersin (Bass), Jean-Louis Viale (Drums), Sacha Distel (Guitar), recorded December 27 and 29, 1955 at Studio Pathé-Magellan, Paris Music Review Our esteemed Man From Mercury (via … Continue reading →
Track Selection: Wigglin’ Artists Howard McGhee (tp) Tina Brooks (ts) Freddie Redd (p) Milt Hinton (b) Osie Johnson (d)recorded NYC, June 13, 1960 Music: Freddie Redd’s Music from The Connection stage play, the alternate score to the more famous Jackie … Continue reading →
Track Selection 1: Alone Together (Schwartz) Track Selection 2: Tasty Pudding (Cohn) Artists Chet Baker (tp) Raymond Fol (p) Benoit Quersin (b) Jean-Louis Viale (d) add Bobby Jaspar (ts) on “Tasty Pudding”, recorded Paris, France, November 1955 to February 1956 Music: In an … Continue reading →
Something new, a competition, and you get to decide which version you prefer! The stage is set for Freddie Redd’s Music from “The Connection”, the track, the poignant “Theme for Sister Salvation”
First contender the original New York cast soundtrack on Blue Note, with Jackie McClean (click the arrow below to hear audio player, click on bars to adust volume)
Next up we have the official understudy to Jackie in “The Connection” stage play, Tina Brooks, in the alternative recording on Felsted Records (Close the flash audio player above by clicking the double-bar on its right, or it will play on top of the next audio sample)
Due to contractual problems Freddie Redd – the composer – performs under the pseudonym “I Ching”, Howard McGhee lead on trumpet, and Tina Brooks takes the honours on saxophone in place of Jackie McClean. Everyone knows the Blue Note 4027 from 1960. very few know the ultra rare Felsted alternative. Despite its poorer audio quality, the Felsted version showcases the extraordinary emotional drive of Tina Brooks, and Freddie’s triumphant piano solo, which clutches at the heartstrings as it strains at holding the key