Adventures in collecting "modern jazz": the classical music of America from the Fifties and Sixties, and a little Seventies, on original vinyl, on a budget, from England. And writing about it, since 2011. Travelling a little more widely nowadays, and at lower cost
Browsing through an antiques fair the other week in the pretty Provencal town of Vence on the French Cote d’ Azur, I stumbled on an interesting book on the history of jazz – in French, of course, itself twenty two years old. Of … Continue reading →
Selection: The Fable of Mabel (Twardzik) . . . Artists Serge Chaloff, baritone sax; Herb Pomeroy, trumpet; Gene DiStachio, trombone; Charlie Mariano, alto sax; Varty Haritounian, tenor sax; Dick Twardzik, piano; Ray Oliveri, bass; Jimmy Zitano, drums; recorded Boston, September … Continue reading →
PICTURES UPDATED December 25, 2018 Track Selection: “Autumn Leaves”  > . . . Artists Bill Evans (p) Scott La Faro (b) Paul Motian (d) Reeves Sound Studios, New York; December 28, 1959 , eight months after recording with Miles Davis … Continue reading →
Track selection: “How Deep is the Ocean” Artists  Curtis Counce (b) Jack Sheldon (t) Frank Butler (d) Carl Perkins (p) Harold Land (ts) Recorded Contemporary Studios, Los Angeles, Recorded October 1956 – September 1957. Engineer Roy DuNann. Music Harold Land is at his best on this classic … Continue reading →
Selected track: Donald Byrd “French Spice” > Artists Donald Byrd (tp) Wayne Shorter (ts) Herbie Hancock (p) Butch Warren (b) Billy Higgins (d) Rudy Van Gelder Studio, Englewood Cliffs, NJ, December 11, 1961 Music With the confidence of a half-dozen … Continue reading →
Selected track: “Landslide” > Artists Jack Sheldon (tp) Harold Land (ts) Carl Perkins (p) Curtis Counce (b) Frank Butler (d) recorded Los Angeles, CA, October 8, 1956 Music Original 1957 US press of Contemporary release “The Curtis Counce Group”, featuring the … Continue reading →
Updated November 26, 2017 – previous rips, which previously were muddled up and labelled incorrectly, are replaced with fresh rips made on the latest quality audio system (Avid Acutus Reference) at 320kbps (double previous resolution, each rip correctly attributed. One … Continue reading →
Track Selection: Bud Powell Quintet “Bouncing with Bud” > Artists Bud Powell (p) Fats Navarro (t), Sonny Rollins (ts,) Roy Haynes (d) and Tommy Potter (b) Recorded in 1948 Released by Blue Note probably around 1956, featuring Fats with a combination … Continue reading →
Selection: The Fox Critically acclaimed as Harold Land’s best album, “The Fox” was initially released in 1960 on the label Hifi jazz, and later re-mastered by Contemporary for this pressing. Music: Title track “The Fox” was apparently chosen for its resemblance … Continue reading →
Track Selection: “Imagination” Artists Sonny Stitt (ts) Charlie Bateman (p) Gene Wright (b) Art Blakey (d) recorded NYC, January 31, 1951 Music The slow ballad tempo on “Imagination” neatly counterpoints Sitt’s fleet alto runs, and illustrates why he is often described as “one … Continue reading →
Track Selection: “Melancholee” Original rip 2011 180kbps from DJ portable £100 tt. “Melancholee”: Grant Geen’s solo is sensitive, and Wayne Shorter’s elegant, while Morgan continues to show off his mercurial brilliance, to be lost for all time just a few … Continue reading →
Track Selection: “I fall in Love Too Easily” > Artists Bill Evans (p)  Chuck Israels (b) Paul Motian (d) Music Someone recently introduced me to jazz piano, through Hampton Hawes. Pleasantly surprised that not all piano trios sound like hotel foyer … Continue reading →
Pictures updated April 17, 2020 Track Selection: Lee Konitz “Sunflower” Artists Don Ferrara (tp) Lee Konitz (as) Sal Mosca (p) Peter Ind (b) Shadow Wilson (d) recorded NYC, May 12, 1957 Music It’s a great sound, these late fifties pressings really … Continue reading →
Track Selection:  “Groovin’ ” Artists JJ Johnson (tb), Hank Mobley (ts) Horace Silver (p) Paul Chambers (b) Kenny Clarke (d) recorded 1955, engineer Rudy Van Gelder. The partner Volume 1 is described as “one of the central documents in post-war jazz”,  featuring … Continue reading →
Track Selection:Â Â “In a Sentimental Mood” Artists John Coltrane (ss, ts) Duke Ellington (p) Aaron Bell (b -1,2,5,6) Jimmy Garrison (b -3,4,7) Sam Woodyard (d -1,5,6) Elvin Jones (d -2/4,7) recorded Rudy Van Gelder Studio, Englewood Cliffs, NJ, September 26, 1962 … Continue reading →
Track Selection: ” ‘Round about Midnight ” Artists Gerry Mulligan (bars) Thelonious Monk (p) Wilbur Ware (b) Shadow Wilson (d) NYC, August 13, 1957 Music An improbable combination: master of the baritone sax Gerry Mulligan and iconoclast of the “off-key” piano Thelonious … Continue reading →
 Track selection: (excerpt) Artists Don Cherry (pocket tp) Freddie Hubbard (tp) Eric Dolphy (bcl) Ornette Coleman (as) Charlie Haden, Scott LaFaro (b) Ed Blackwell, Billy Higgins (d)  NYC, December 21, 1960 For Stereophiles, the positioning is: Left channel Ornette … Continue reading →
Track Selection : Another Monday Night in Birdland – “Jamph”. Artists Lee Morgan (tp) Curtis Fuller (tb -2/4) Hank Mobley (ts) Billy Root (ts, bars) Ray Bryant (p) Tommy Bryant (b) Charles “Specs” Wright (d) recorded “Birdland”, NYC, April 21, 1958 … Continue reading →
Sample (long):Lee Konitz “Pennies in Minor“. Recorded in 1958 “live” at the Midway Lounge, Pittsburg, by Lee’s bass player Peter Ind, who by all accounts started a reel to reel tape running in the basement, and ran up stairs into the club to start … Continue reading →
Sample (long) from volume 1: “Summertime” Live at the BlackHawk. Being relatively new to West Coast jazz, a helpful steer from the Penguin Jazz  Core Collection pointed me at Shelly Manne and his four volume “Live at the BlackHawk” . Recorded over … Continue reading →
Something new, a competition, and you get to decide which version you prefer! The stage is set for Freddie Redd’s Music from “The Connection”, the track, the poignant “Theme for Sister Salvation”
First contender the original New York cast soundtrack on Blue Note, with Jackie McClean (click the arrow below to hear audio player, click on bars to adust volume)
Next up we have the official understudy to Jackie in “The Connection” stage play, Tina Brooks, in the alternative recording on Felsted Records (Close the flash audio player above by clicking the double-bar on its right, or it will play on top of the next audio sample)
Due to contractual problems Freddie Redd – the composer – performs under the pseudonym “I Ching”, Howard McGhee lead on trumpet, and Tina Brooks takes the honours on saxophone in place of Jackie McClean. Everyone knows the Blue Note 4027 from 1960. very few know the ultra rare Felsted alternative. Despite its poorer audio quality, the Felsted version showcases the extraordinary emotional drive of Tina Brooks, and Freddie’s triumphant piano solo, which clutches at the heartstrings as it strains at holding the key
Picture files updated July 1, 2020 Selection: “Straight Life” (Julian Adderley) Artists Blue Mitchell, trumpet; Cannonball Adderley, alto sax; Bill Evans, piano; Sam Jones, bass; Philly Joe Jones; recorded at Reeves Sound Studios, NYC, July 1, 1958 Music High on his … Continue reading →
Charles Mingus “Parker-iana” (excerpt)Â Artists Johnny Coles (tp -2) Eric Dolphy (as, bcl, fl -2) Clifford Jordan (ts -2) Jaki Byard (p) Charles Mingus (b -2) Dannie Richmond (d -2) recorded “Salle Wagram”, Paris, France, April 17, 1964 Music Having … Continue reading →