London Records was created by Decca in the 1940s to enable transatlantic releases from the UK into the US, and vice versa. Due to the presence of a Decca subsidiary company in the US, British Decca was unable to use the Decca name in North America, and released records there under the “London” label. In the UK, the London label was used by British Decca to release American recordings which British Decca licensed, such as Atlantic.
The catalogue numbering system identified the US company licensor by letter code:
LTZ-C Savoy
LTZ-D Dot
LTZ-J Jubilee
LTZ-K Atlantic
LTZ-L Carlton
LTZ-M Chess
LTZ-N Bethlehem
LTZ-P Imperial
LTZ-T United Artists
LTZ-U Riverside
The label bears the logo “London American Recordings” and is found in Blue for Stereo with SAH-(letter) codes and Crimson/Silver and LTZ-(letter) codes for Mono
Being owned by Decca, naturally all the records released in the UK under this label were mastered and pressed by Decca, at their South West London plant at New Malden . Unlike Esquire Records, who pressed US recordings using original US-made stampers, the London label releases were mastered from copy tapes sent from the US. As a result it is not unusual for UK pressings to differ sonically from original US pressings, the differences being a matter of preference and not necessarily one better than the other.
1. London American Jazz Recording LTZ 15000 Series – Crimson/Silver label, mono
2. London Atlantic 8000 Series – Stereo
3. London Atlantic American 8000 Series
Photo credit – Bill B
3. London – made in France
What went on here? London, France? Obviously Decca were not above a little ooh-la-la expediently working with French opposite numbers, pressing in France too:
That’s not Decca New Malden! The impossibly rare Felsted original issued by London.(Just try finding the US original!) Probably pressed by Pathe Marconi, who seem to be the most jazz-oriented French engineers.
London Contemporary, King, Japan
Interesting provenance, a (Decca) London release, of a Contemporary recording, but in Japan, through King Records. This is one mixed up kid, unearthed by LJC reader Antonio.
Decca released Contemporary in the UK on its Contemporary Vogue label. But as we saw with the French pressing of Felsted, Decca has form in sub-licensing overeas with its London identity, so it’s a small stretch to create London Contemporary in the manner of London Atlantic – a specialist sub-label. Decca master VMGT 1508 finds its was to Tokyo. Looks to me deep groove, which would be unheard of on a Japanese pressing, and a reference on the label to VMGT Decca matrix code, so possibly manufactured in UK for export to Japan.
Catalogue Listing LTZ 15000 American Jazz series (1955-62)
Note: incomplete – compiled from a Discogs partial listing plus my own collection and contributions from readers. A more complete listing can be found at the excellent Both Sides Now site. The genre here is Jazz – the full London catalogue listing covering of course large numbers of rock and pop releases.
LTZ-K 15059Jimmy GiuffreThe Jimmy Giuffre Clarinet1956
LTZ-N 15111Johnny Richards And His OrchestraSomething Else By Johnny Richards1958
SAH-K 6192Milt Jackson & John ColtraneBags & Trane
SAH-K 8017John ColtraneColtrane Plays the Blues1962
Catalogue No | Artist | Title | Year |
HA-N 2033 | McGhee, Howard | Life is just a bowl of cherries | 1956 |
LTZ-C 15007 | JJ Johnson and Kai Winding | Jay and Kai | 1956 |
LTZ-C 15015 | Cannoball Adderley | Presenting Cannonball | 1955 |
LTZ-C 15017 | Hank Jones Trio | The Trio | 1956 |
LTZ-C 15018 | Nat Adderley | That’s Nat | 195? |
LTZ-C 15046 | Hank Jones Trio | The Trio With Guests | 1956 |
LTZ-C 15099 | Hank Mobley | The Jazz Message No. 2 | 1957 |
LTZ-C 15104 | Charlie Parker | The Immortal Vol 1 | 1958 |
LTZ-C 15105 | Charlie Parker | The Immortal Vol 2 | 1958 |
LTZ-C 15106 | Charlie Parker | The Immortal Vol 3 | 1958 |
LTZ-C 15107 | Charlie Parker | The Immortal Vol 4 | 1958 |
LTZ-C 15108 | Charlie Parker | The Immortal Vol.5 | 1958 |
LTZ-C 15144 | Terry & McGhee | Back Country Blues | 1958 |
LTZ-C 15159 | Tommy Flanagan Quintet | Mainstream 1958 | 1959 |
LTZ-D 15158 | Eddie Condon | Dixieland Dance Party | 1958 |
LTZ-D 15168 | Clara Ward | Gospel Concert | |
LTZ-J 15129 | Charles Mingus | Mingus/Hawes/Richmond | |
LTZ-K 15022 | Modern Jazz Quartet, The | Fontessa | 1957 |
LTZ-K 15024 | Wilbur de Paris | And His New Orleans Jazz | 195? |
LTZ-K 15025 | Lee Konitz, | Lee Konitz with Warne Marsh | 1955 |
LTZ-K 15033 | Lennie Tristano | Lennie Tristano | 1956 |
LTZ-K 15037 | Marty Paich, Larry Bunker | Jazz City Workshop | 195? |
LTZ-K 15043 | Montrose, Jack | Jack Montrose with Bob Gordon | 1955 |
LTZ-K 15052 | Charles Mingus | Pithecanthropus Erectus | 1956 |
LTZ-N 15055 | Russ Garcia, Frank Rosolino et al | Four Horns and a Lush Life | 1956 |
LTZ-K 15085 | Modern Jazz Quartet, with Jimmy Giuffre | The Modern Jazz Quartet At Music Inn | |
LTZ-K 15092 | Lee Konitz | Inside Hi Fi | 1957 |
LTZ-K 15127 | Mulligan Thelonious Monk, Gerry | Mulligan Meets Monk | 1957 |
LTZ-K 15136 | Modern Jazz Quartet, The | The Modern Jazz Quartet | 1958 |
LTZ-K 15137 | Jimmy Giuffre | Jimmy Giuffre Three Travelin’ Light | 195? |
LTZ-K 15140 | Modern Jazz Quartet, The | Film Score For “No Sun In Venice” | 1958 |
LTZ-K 15141 | Milt Jackson | Plenty, Plenty Soul | 1957 |
LTZ-K 15142 | Chris Connor | A Jazz Date With Chris Connor | 1956 |
LTZ-K 15147 | Lee Konitz, | The Real Lee Konitz | 1958 |
LTZ-K 15157 | Art Blakey & The Jazz Messengers | Art Blakey’s Jazz Messengers w/Monk | 1959 |
LTZ-K 15164 | The Charles Mingus Workshop | The Clown | 1959 |
LTZ-K 15171 | Champion Jack Dupree | Blues From The Gutter | 1959 |
LTZ-K 15173 | Modern Jazz Quartet, with Sonny Rollins | Modern Jazz Quartet At Music Inn Vol 2 | 1959 |
LTZ-K 15179 | Shorty Rogers | Way Up There | 19?? |
LTZ-K 15190 | Ray Charles | The Genius Of Ray Charles | 1959 |
LTZ-K 15191 | The Jazz Modes | The Most Happy Fella | 1959 |
LTZ-K 15193 | Modern Jazz Quartet, The | Pyramid | |
LTZ-K 15194 | Mingus, Charles | Blues & Roots | 1960 |
LTZ-K 15197 | John Coltrane | Giant Steps | 1959 |
LTZ-K 15199 | Ornette Coleman | Change Of The Century | 1961 |
LTZ-K 15215 | Various | The Blues Roll On | 1960 |
LTZ-K 15215 | John Coltrane | Coltrane Jazz | 19?? |
LTZ-K 15225 | Slide Hampton | Sister Salvation | 19?? |
LTZ-K 15228 | Coleman, Ornette | This Is Our Music | 1960 |
LTZ-K 15232 | John Coltrane Milt Jackson | Bags and Trane | 196? |
LTZ-K 15237 | John Lewis | The Wonderful World of Jazz | 19?? |
LTZ-K 15239 | John Coltrane | Ole | 196? |
LTZ-M 15152 | Waters, Muddy | Best of Muddy Waters | 19?? |
LTZ-M 15162 | Ahmad Jamal Trio | But Not For Me | 1959 |
LTZ-M 15170 | Ahmad Jamal | Ahmad Jamal | 1959 |
LTZ-N 15001 | Milt Hinton | Milt Hinton | 195? |
LTZ-N 15003 | K + J.J. | East Coast Jazz Series No. 7 | 1976 |
LTZ-N 15009 | Mel Tormé with Marty Paich Dek-Tette | Mel Tormé | 1956 |
LTZ-N 15010 | Red Allen Cozy Cole | Jazz at the Metropole cafe | 195? |
LTZ-N 15011 | Howard McGhee | The Return of | |
LTZ-N 15014 | Red Mitchell | Jam for your Bread | |
LTZ-N 15029 | Duke Ellington And His Orchestra | Historically Speaking – The Duke | 1956 |
LTZ-N 15031 | Charlie Mariano | Charlie Mariano | 1956 |
LTZ-N 15035 | Oscar Pettiford | Volume 2 | 1956 |
LTZ-N 15036 | Conte Candoli | Conte Candoli | 195? |
LTZ-N 15063 | Sam Most Sextet | Sam Most Sextet | 195? |
LTZ-N 15067 | Frank Rosolino | Frank Rosolino | 195? |
LTZ-N 15078 | Duke Ellington | Duke Ellington presents | 195? |
LTZ-N 15090 | Frank Socolow | Sounds by Socolow | 1957 |
LTZ-N 15100 | Stan Levey sextet | Stan Levey sextet | 195? |
LTZ-N 15123 | Stu Williamson | Stu Williamson | 1958 |
LTZ-P 15236 | Valley Singers, The | Canaan’s Land | 1961 |
LTZ-R 15283 | various | Modern Jazz Gallery vol.1 | 1961 |
LTZ-R 15284 | various | Modern Jazz Gallery vol.2 | 1961 |
LTZ-T 15160 | Johnny Mandel | I Want To Live! (Soundtrack) | 1958 |
LTZ-T 15167 | Art Farmer | Modern Art | 1958 |
LTZ-T 15172 | Milt Jackson | with Benny Golson | 19?? |
LTZ-T 15176 | Benny Golson | Benny Golson and the Philadelphians | 19?? |
LTZ-T 15181 | MJQ | BennOdds against Tomorrow | 19?? |
LTZ-T 15181 | Tubby Hayes | Ronnie Scott & Tubby Hayes (ex Carlton) | 19?? |
LTZ-T 15189 | Pee Wee Ervin | Down By The Riverside | 195? |
LTZ-U 15009 | Thelonious Monk | Thelonious Monk plays the music of Duke Ellington | 1957 |
LTZ-U 15075 | Matthew Gee All Stars | Jazz By Gee! | 1957 |
LTZ-U 15117 | Coleman Hawkins | The Hawk Flies High | 1957 |
LTZ-U 15133 | Kenny Dorham | Jazz Contrasts | 1958 |
LTZ-U 15133 | Howard McGhee Quintet | the Connection | 195? |
SAH-K 6017 | Art Blakey’s Jazz Messengers w/Monk | Art Blakey’s Jazz Messengers W/ Monk | 1959 |
SAH-K 6031 | Modern Jazz Quartet, The | Fontessa | |
SAH-K 6050 | Modern Jazz Quartet w/ Sonny Rollins | Modern Jazz Quartet At Music Inn Vol2 | |
SAH-K 6061 | Benny Golson | and the Philedelphians | |
SAH-K 6162 | John Coltrane | Coltrane Jazz | |
SAH-K 6181 | Ornette Coleman | This is our Music | |
SAH-K 6235 | Ornette Coleman | Ornette! | 1961 |
SAH-K 8007 | Charles Mingus | Oh Yeah! | 196? |
I had the London American recording of Champion Jack Dupree’s Natural and Soulful Blues. It was the stereo Blue and Silver label. Found it early December 1968 (or maybe ’69) here in the U.S., in Dayton’s on 8th St. NYC. It was in the cut out bins in the back for $1.99 (if the pound’s exchange rate was still $2.40, the price would have translated to about 16/6). It played well and is a good album but I like Blues from the Gutter better. I also found in the same section that evening, a Fontana Spencer Davis with Stevie Winwood for the same price.
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Just picked up: LTZ-N15041 Red Mitchell (Jam for Your Bread) which I cannot find listed – looks to be the UK version of your Bethlehem release. Thanks for the great blog!!
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Nice find Pete. These London Decca pressings are nice, and generally very well engineered. Though quite rare, not as rare as Bethlehem. Thanks, I’ve added it to the catalogue.
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You should add the amazing LZ-U 14040. The Marty Paich Quartet featuring Art Pepper. Originally a Tampa record. The London blows the Tampa off its socks.
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https://londonjazzcollector.wordpress.com/2013/04/14/marty-paich-art-pepper-10-uk-london/
I think the consensus supports the London as preferable to the Tampa original, though that is received wisdom. The Tampa is impossibly rare.
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I had forgotten about the other discussion on this record (oops). My London is also from Brian Clark, with cover (he he). I know someone with the Tampa who might be willing to sell if you are interested. Its red and expensive
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The Tampa is red, expensive, and according to someone with deep knowledge of such matters, sounds terrible – London is the preferred edition, according to him. I’ll have to take his word for it, too expensive to find out the hard way.
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another one:
LTZ-K 15052 Charles Mingus “Pithecanthropus Erectus”
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Added, Rudolph, thanks
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there is some more work to do! I only now went seriously through my London stocks. Here are the results. Items missing on your list follow here:
LTZ (monaural)
N – 15001 Milt Hinton
U -15009 Thelonious Monk plays the music of Duke Ellington
N – 15036 Conte Candoli
K – 15037 Jazz City Workshop Marty Paich, Larry Bunker
N – 15063 Sam Most Sextet
N – 15067 Frank Rosolino
N – 15078 Duke Ellington presents
R – 15083/84 Modern Jazz Gallery vols 1 and 2 (ex Kapp)
N – 15100 Stan Levey sextet
J – 15129 Charles Mingus/Hampton Hawes/Danny Richmond (ex Jubilee)
K – 15137 Jimmy Giuffre Three Travelin’ Light
T – 15172 Milt Jackson (with Benny Golson)
T – 15176 Benny Golson and the Philadelphians
T – 15181 MJQ Odds against tomorrow
L – 15188 Ronnie Scott & Tubby Hayes (ex Carlton)
K – 15219 John Coltrane “Coltrane Jazz”
U – 15221 Howard McGhee Quintet “the Connection” (ex Felsted)
K – 15225 Slide Hampton “Sister Salvation”
K – 15237 John Lewis “the Wonderful World of Jazz”
STEREO
SAH
T-6061 Benny Golson and the Philadelphians
K-6162 Coltrane Jazz
K-8007 “Mingus Oh Yeah” Charles Mingus
K-6181 Ornette Coleman “This is our Music”
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I think I have all these updated now.Thanks for the extra work. Phew, some great little treasures in there, the Tubby Hayes /Carlton, the Connection/ Felstead. Amazing little gems
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Thanks for all this helpful information. I think these London pressings are really excellent vinyl and substantially undervalued
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Another one for your list Kenny Dorham – Jazz Contrasts LTZU-15133 a great sounding record with the original mono crimson labels.
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LTZ-M is Chess.
My “Best Of Muddy Waters” is a London American Jazz Recording LTZ-M 15152.
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Thanks John, I have updated* the London Label page adding your contribution, and also those of Sven from Sweden (Thanks Sven!). Anyone out there who can add to the listing, email me your contributions (catalogue number, artist, title, and year recorded) Email address in the foot of the “About LJC” page.
*Just so you know, chaps, updating has required me to grapple with the underlying HTML code, a late learning curve but useful nevertheless. Who says I.T. is just for youngsters?
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since I was able to recognize a 1st press trough this website I feel that it is my duty to contribute.
I found a really nice supermint copy of Olé Coltrane Mono LTZ-K 15239
By the way, the backside also says:
Bags and Trane/Milt Jackson & John Coltrane
Stereo SAH-K 6192 mono LTZ-K 15232
Coltrane Jazz/ John Coltrane
stereo SAH-K 6162 mono LTZ-K 15219
Thanks!
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Thanks always welcome. You would think with 800 page views a day it would be said more often, but alas no. Glad you got a great record. Discography updated. Cheers
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Welcome! Olé is from ’62 by the way. I bet coltrane jazz and bags and trane are published in the same year. Props to you, keep up the great work!
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Very nice. Thanks for the info.
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